DFa Firenze is not yet publishing in Manila or the Philippine homeland, though.
DFa Firenze will first see the light in an ancient Italian city that is acknowledged as the "birthplace of the Renaissance:" Florence, Italy.
Florence or Firenze (Fiorenza or Florentia in Latin) is the
capital city of the Italian region of Tuscany and of the province of Florence.
It is the most populous city in Tuscany, with approximately 370,000
inhabitants, expanding to over 1.5 million in the metropolitan area.
The Renaissance or Rinascimento in Italian, meaning "to be reborn," was a cultural
movement that spanned the period roughly from the 14th to the 17th century,
beginning in Italy in the Late Middle Ages and later spreading to the rest of
Europe. Though availability of paper and the invention of metal movable type
sped the dissemination of ideas from the later 15th century, the changes of the
Renaissance were not uniformly experienced across Europe.
As a cultural movement, it encompassed innovative flowering
of Latin and vernacular literatures, beginning with the 14th-century resurgence
of learning based on classical sources, which contemporaries credited to
Petrarch, the development of linear perspective and other techniques of
rendering a more natural reality in painting, and gradual but widespread
educational reform.
In politics, the Renaissance contributed the development of
the conventions of diplomacy, and in science an increased reliance on
observation. Historians often argue this intellectual transformation was a
bridge between the Middle Ages and the Modern era. Although the Renaissance saw
revolutions in many intellectual pursuits, as well as social and political
upheaval, it is perhaps best known for its artistic developments and the
contributions of such polymaths as Leonardo da Vinci and Michelangelo, who
inspired the term "Renaissance man".
There is a consensus that the Renaissance began in Florence,
Italy, in the 14th century. Various theories have been proposed to account
for its origins and characteristics, focusing on a variety of factors including
the social and civic peculiarities of Florence at the time; its political
structure; the patronage of its dominant family, the Medici; and the
migration of Greek scholars and texts to Italy following the Conquest of
Constantinople at the hands of the Ottoman Turks.
The Renaissance has a long and complex historiography, and
in line with general skepticism of discrete periodizations, there has been much
debate among historians reacting to the 19th-century glorification of the
"Renaissance" and individual culture heroes as "Renaissance
men", questioning the usefulness of Renaissance as a term and as a historical
delineation.The art historian Erwin Panofsky observed of this resistance
to the concept of Renaissance.
It is perhaps no accident that the factuality of the Italian
Renaissance has been most vigorously questioned by those who are not obliged to
take a professional interest in the aesthetic aspects of civilization—
historians of economic and social developments, political and religious
situations, and, most particularly, natural science— but only exceptionally by
students of literature and hardly ever by historians of Art.
Some have called into question whether the Renaissance was a
cultural "advance" from the Middle Ages, instead seeing it as a
period of pessimism and nostalgia for the classical age, while social and
economic historians of the longue durée especially have instead focused on the
continuity between the two eras, linked, as Panofsky himself observed,
"by a thousand ties".
The word Renaissance, whose literal translation from French
into English is "Rebirth", was first used and defined by French
historian Jules Michelet in his 1855 work, Histoire de France. The word
Renaissance has also been extended to other historical and cultural movements,
such as the Carolingian Renaissance and the Renaissance of the 12th century.
DFa Firenze is envisioned by its 21st century of circa-21 publishers and editors as a newspaper in Filipino or Tagalog (covering all other major languages in The Philippines), English and Italian with both printing press-produced and digital editions.
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